Reviews & Articles

Claire O'Loughlin, 'Ode to Hilma', Artzone Autumn 2024, pp.18-29.

Balamohan Shingade, 'Contours of perception', Artist Profile 52 Australia, pp. 72-78,

Andrew Paul Wood, 'Vessel for communication' Art News New Zealand, Summer 2019, pp.70-73

Accidents and Variations Lara Strongman interview with Julia Morison, Bulletin. 195, Autumn 2019 

Audrey Baldwin. Julia Morison, Head[case] Art Beat April 2019 

Denis O'Connor, Double Glazing, Art News- Summer

Jamie Hanton Julia Morison, Omnium Gatherum: Iteration 5, Christchurch, Art New Zealand: 168

What Now? Art Collector:Auckland Art Fair pp10-11

Felicity Milburn, 'Teaching Aid #1', 'Powerfully Present', Bulletin 193, Spring 2018

John Hurrell, Undreamed of...50 Years.  http://eyecontactsite.com/2017/10/frances-hodgkins-fellowship

John Hurrell, Surreal and Mimetic Morison.  http://eyecontactsite.com/2017/09/mimetic-and-surreal-morison

John Hurrell. O'Connor's Choices. Handbuilt: made in clay

http://eyecontactsite.com/2016/11/oconnors-choices

John Hurrell, Ten Woman Arists  http://eyecontactsite.com/2016/10/ten-women-artists

Priscilla Pitts, A Conversation with Julia Morison.  http://eyecontactsite.com/2015/07/a-conversation-with-julia-morison

Allan Smith, Julia Morison: Headcase http://eyecontactsite.com/2015/04/julia-morrinsville-headcase#ixzz3WiYuZ6MB

Anna Smith, Notes for an off-world phrenology Two Rooms Gallery

John Hurrell, Aids and Gay Pride in 2015. http://eyecontactsite.com/2015/02/aids-in

Andrew Paul Wood, Martin and Morison at Smart. 

http://eyecontactsite.com/2014/05/martin-morison-smart

Felicity Milburn, Resisting the Frame: A Conversation with Julia Morison Art New Zealand N.149 Autumn 2014, pp36-43

Peter Dornauf, Who Decides on Public Art. http://eyecontactsite.com/2013/11/who-decides-on-public-art

Dr Jessica Halliday, The Tradition of Both-And SCAPE7 Public Art Volume Two: Artist Projects, pp.120-125.

Philip Matthews, Gift to the City Press YW p6 

http://www.youtube.com/watch?v=oyt9bMLMTso

http://eyecontactsite.com/2013/10/julia-morison-tree-houses-in-christchurch

Creon Upton Morison's Plaster Wall Sculptures http://eyecontactsite.com/2013/09/m

Charlie Gates 'Street Furniture' to enliven space, The Press A5, 13 Sept 2013 

Warren Feeney, Smart Opens in Sydenham.

http://eyecontactsite.com/2013/07/smart-opens-in-sydenham

Mark Amery, Pondering Duchamp in Wellington http://eyecontactsite.com/2012/09/pondering-duchamp-in-wellington

Andrew Paul Wood, Going through the Motions.

http://eyecontactsite.com/2012/06/going-through-the-motions

Andrew Paul Wood, Of dogs & men The Press -art p8. Friday 15 June 2012

Sally Blundell, Meet me on the other side (interview) Bulletin 167, Christchurch Art Gallery, March-May 2012 pp46-50 

Andrew Paul Wood, An Emotional Encounter, The Press 24 February 2012, p. 10

Earthquake debris, silt transformed into art work, The Press 16 February 2012, A8

Justin Paton, 'Ugly Beauty' & Felicity Milburn, 'Endings and Beginnings', exhibition guide inserted into second printing of 'Meeting me on the other side', Christchurch Art Gallery, 2012

John Hurrell, New Directions... Julia Morison Australian Art Collector, Issue 59, January-March 2012

Warren Feeney, http://eyecontactsite.com/2012/01/outside-the-box

TJ McNamara, 'Sludge shapes acheive horrifying brilliance', NZHerald' p.B16, 19 November 2011

John Hurrell, http://eyecontactsite.com/2011/11/morison-sculpture-in-auckland

Creon Upton and Julia Morison, Meet me on the other side, (catalogue) Two Rooms Gallery, Auckland

Julia Morison, ‘Aibophobia’ and ‘Liqueurfaction’ Bulletin 165, Christchurch Art Gallery Te Puna o Waiwhetu, cover and pageworks, 2011 pp. 53-55

Julia Morison, Meet me on the other side, Landfall, 2011

Anna Marie White, Sleight of Hand: The Port Nelson Suter Biennale (catalogue), Suter Gallery, Nelson, 2010

John Hurrell http://eyecontactsite.com/2010/08/the-new-zealanders-in-the-sydney-biennale

David Elliott, The Beauty of Distance; Songs of Survival in a Precarious Age, 17th Biennale of Sydney, 2010 p. 204

John Hurrell, http://eyecontactsite.com/2009/09/on-adams-walls

T.J. McNamara, Toy becomes dance of lines, NZ Herald, 14 February 2009

Inner Landscapes: 15 New Zealand Artists with Canterbury Connections', Canterbury University Press, 2009

Myriorama (Catalogue) Tuscan Press, 2008.

Unorthodox and stunning, The Press, 20 June 2007, D2

John Hurrell, Follow that ribbon: circumnavigating the Morison survey at Christchurch Art Gallery Art Monthly Australia, No 195, November 2006, pp 3-8

Andrew Paul Wood, A must-see exhibition, The Press, 23 August 2006

Art of the unexpected, The Press, 12 July 2006, p. D2

Kate Montgomery, Evolving an extraordinary opus, The Press, 19 July 2006, p. D2

Justin Paton et al., Julia Morison: a loop around a loop, Christchurch Art Gallery and Dunedin Public Art Gallery 2006

Ian Dando, The Taddei Show, New Zealand Listener, 10 September 2005, p. 40

Andrew Paul Wood, Julia the Obscure, New Zealand Listener, 21 May 2005, p. 48

T. J. McNamara, Alchemist makes magic with mops, New Zealand Herald, 1 June 2005, p. B5

Christopher Moore, Art beat, The Press, 30 April 2005, p. E3

Roger Boyce, Lionel Budd at Jonathan Smart, Art in America 93, Issue 2, February 2005, p. 139 

Roger Boyce, Public/Private: Tumatanui/Tumataiti, The 2nd Auckland Triennial, Sculpture 23, No. 10, December 2004, pp. 78–79

Stephen Naylor, Public / Private: Tumatanui/Tumataiti, The 2nd Auckland Triennial, Art Monthly Australia 170, June 2004, pp. 16–18

Tom Cardy, Feast of fun, The Dominion Post, 22 April 2004, p. D6

Oddities abound in impressive displays, New Zealand Herald, 7 April 2004, p. B7

Rosa Shiels, The scale of her life, The Press, 24 March 2004, pp. C1, 3

T. J. McNamara, Galleries get into the spirit, New Zealand Herald, 24 March 2004, p. B7

Malcolm Burgess, Artists bring in the baggage, New Zealand Herald, 17 March 2004, p. B9

Alison Jones, Good signs at Te Papa, Capital Times, 10 March 2004, p. 12

Print Project, SOFA Gallery, Arts Centre, Christchurch, 2004, unpaginated

Andrew Paul Wood, Printmaking and Canterbury, SOFA 25, School of Fine Arts, University of Canterbury, 2004

Anna Smith, Oatmeal Brose, in Ngahiraka Mason and Ewen McDonald (eds), Public/Private: Tumatanui/Tumataiti, The 2nd Auckland Triennial, Auckland Art Gallery Toi o Tamaki, 2004, pp. 111–114.

Robyn Anderson et al., Icons: Nga Taonga from the Museum of New Zealand Te Papa Tongarewa, Te Papa Press, Wellington, 2004, p. 112

Rosa Shiels, Talking of the visual, The Press, 31 December 2003, p. C3

Marilyn Rea-Menzies, Collaborative tapestries, Creative Fibre 6, No. 3, December 2003, p. 13

Exhibition explores the spiritual, Capital Observer, 22 December 2003, p. 23. .

The art of exhibition, The Press, 30 August 2003, p. D5

Margaret Duncan, Fed by bizarre fertility, The Press, 27 August 2003, p. C2

Art beat, The Press, 23 August 2003, p. E3

Not to be missed, The Press, 28 May 2003, p. C2

Sally Blundell, Julia, darkly, New Zealand Listener, 29 March 2003, p. 62

Painting is dead. Again, New Zealand Listener, 22 March 2003, pp. 50–52

Christopher Moore, Art beat, The Press, 15 March 2003, p. E3

Gina Irish, Exhibitions: Christchurch, Art New Zealand 109, Summer 2003/04, pp. 46–47

Pearl of a tale, The Press, 12 March 2003, p. C2

Jennifer Hay et al., The Collections: Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch Art Gallery Te Puna o Waiwhetu, 2003, p. 100

Michael Dunn, New Zealand Painting: A Concise History, Auckland University Press, 2003, pp. 123, 183, 185, 186

Anna Dunbar, Is Julia Morison still doing her own work?, The Press, 31 December 2002, p. E7

Carol Hirschfeld, Where the mild things are, New Zealand Listener, 28 December 2002, pp. 56–57

Jan McCarthy, Make-up manoeuvres, The Press, 27 November 2002, p. C5

Christopher Moore, Art beat, The Press, 14 September 2002, p. E3

T. J. McNamara, Between rock and a soft place, New Zealand Herald, 17 June 2002, p. B5

Tracy Puklowski, Reviews, Waikato Times, 20 May 2002, p. 8

Dorothee Pauli, Surreal exploration, The Press, 10 April 2002, p.29

John Hurrell, Julia Morison – teaching aids, Waikato Museum of Art and History Newsletter, Waikato Museum of Art and History Te Whare Taonga o Waikato, April – July 2002, p. 4

Adrienne Rewi, Foaming fantastic, Sunday Star-Times, 31 March 2002, p. F5

Wendy Day, A house with art, Urbis, Autumn 2002, pp.70–74

Sightlines: Nice work, no links?, Salient 1, 25 February 2002, p. 28

Robyn Peers, The year’s best: Visual arts, The Press, 2 January 2002, p. 21

Ian Wedde et al., Sightlines: looking into the art collection [pamphlet], Museum of New Zealand Te Papa Tongarewa, Wellington, 2002, unpaginated

Anna Smith, What the butler saw, Urbis, Summer 2002/03, pp. 100–103

Anna Smith and Julia Morison, Angels and Flies (catalogue) Tuscan Press 2002

Julia Morison & Heather Straka The Butler’s New Clothes: orchestrated and conducted by the Butler under supervision of Madame, Art & Industry Biennial Trust. (Childrens’ book) 2002

John Hurrell, Teaching Aids, (catalogue),Tuscan Press, 2002

Teaching Aids [exhibition pamphlet], Waikato Museum of Art and History Te Whare Taonga o Waikato, 2002

Felicity Milburn, Menagerie – Robert McDougall Art Gallery, December 2001 – May 2002 [pamphlet], Robert McDougall Art Gallery, Christchurch, 2001, unpaginated

Mark Mitchell, Nation’s art out of the closet, New Zealand Herald, 19 October 2001, p. A18

Nic Farra, In full bloom, The Citizen, 17 September 2001, pp. 22–23

Anna Dunbar, Personal Pain.01, The Press, 25 July 2001, p. 36

Dorothee Pauli, Dark Plain: varied views of Canterbury, The Press, 21 July 2001, p. 32

Christopher Moore, Beauty and intrigue, The Press, 18 July 2001, p. 32

Instantly refreshing relief, The Press, 25 July 2001, p. 36

Simon Garrett, New millennium: Art Downunder, The Lancet 357, 23 June 2001, pp. 2062–2063

Nik Wright, Rebellion in mind, The Press, 14 February 2001, p. 33

Lara Strongman, Telecom Prospect 2001: New Art in New Zealand [broadsheet], City Gallery Wellington Te Whare Toi, 2001

Ewen McDonald et al., Dark Plain, Christchurch Arts Festival, 2001, pp. 16–21, 28, 31, 44–45

Guy Boyce, Dark Plain, Arts 01: Christchurch Arts Festival, Christchurch Arts Festival, 2001, pp. 32–34

Sue Gardiner, Julia Morison: Symbols, ancient stories, new readings, Art Monthly Australia 134, October 2000, pp. 26–27

William McAloon, Cinematic style in freeze frame, Sunday Star-Times, 24 September 2000, p. F4

Hans Petrovic, Mini-soap a teaser, The Press, 30 August 2000, p. 34

Juliet Smith, Quirky five-part film to challenge commercial branding, University of Canterbury Chronicle 35, No. 13, 10 August 2000, unpaginated

Dennis MacManus and Esther Burdett, Art by the numbers, Salient 13, 17 July 2000, p. 38

Katy Corner, Mind bending, maths and art, City Voice, 6 July 2000, p. 20

Keith Stewart, The Food of Art: New Zealand Painters and Their Food, Craig Potton Publishing, Nelson, 2000, pp. 120–127

Zara Stanhope, One, two, three, four, knock at my door, in The Numbers Game: Creative Connections between Art and Mathematics, Adam Art Gallery, Victoria University of Wellington, 2000

Jonathan Smart, Madame & the Bastard do Black: Compulsive Beauty – The Surreal Branding of Madame & the Bastard, in Art & Industry 2000 Biennial Contemporary Visual Arts Festival, Art & Industry Biennial Trust, Christchurch, 2000, p. 36

Neil Roberts et al., A Concise History of Art in Canterbury 1850– 2000, Robert McDougall Art Gallery, Christchurch, 2000, pp. 68, 86, 89, 92–93, 96, 107

Ewen McDonald et al., Art & Industry 2000 Biennial Contemporary Visual Arts Festival, Art & Industry Biennial Trust, Christchurch, 2000, pp. 13, 50, 53

Deborah McCormick, Art & Industry Newsletter 3, 2000, unpaginated

Susette Goldsmith (ed.), In Glorious Dreams: New Art by Women, Govett-Brewster Art Gallery, New Plymouth, 2000

Rob Garrett, Horizontal vertigo: The photographic works of Di ffrench, 1984–98, in Felicity Milburn et al., Di ffrench:Light and Illusion, Robert McDougall Art Gallery and Annex, Christchurch, 2000, pp. 12, 20

William McAloon, National works of art painted into a corner at Te Papa, Sunday Star-Times, 12 September 1999, p. F3

Robyn Ussher, Seductive but hollow, The Press, 25 August 1999, p. 21

Josie McNaught, Art as big as dinosaurs, The Dominion, 21 August 1999, p. 22

Rosa Shiels, High art, The Press, 14 August 1999, p. 3

Through the keyhole: An intrigue, The Press, 11 August 1999, p. 21. . .

Paul Gorman (ed.), March start for fine arts senior lecturer, University of Canterbury Chronicle 34, No. 8, 3 June 1999, unpaginated

Natasha Edwards (ed.), Pick of the week, Time Out Paris, 2–8 June 1999, p. 257

James H. Wallace, 1999 8th Annual Wallace Art Awards, The James Wallace Charitable Arts Trust, Auckland, 1999, unpaginated

Year for sore eyes, City Voice, 30 December 1998, pp. 10–11

Katy Corner, Visions, massive & minute, City Voice, 10 December 1998, p. 9

Alice Shopland, Essential viewing, New Zealand House & Garden, November 1998, p. 70

Mary Gilliatt, The mind’s eye, New Zealand House & Garden, November 1998, pp. 72–85

Tondos and torsos, City Voice, 29 October 1998, p. 6

Too many dresses for one woman, Nelson Mail, 28 October 1998, p. 26

Pauline Swain, Clothed in gold and ashes, The Dominion, 17 October 1998, p. 20

Megan Lane, Headless woman in the limelight, Evening Post, 16 October 1998, p. 1; Ashburton Guardian, 17 October 1998, p. 5; Timaru Herald, 19 October 1998, p. 4

Maryanne Lynch, Down here, on the ground, RealTime @ The Telstra Adelaide Festival ’98, 3, 10 March 1998, p. 10

Christina Barton, Julia Morison and Martin Grant’s 'Material Evidence: 100-Headless Woman', in Juliana Engberg and Ewen McDonald (eds), Sacred and Profane: 1998 Telstra Adelaide Festival Visual Arts Program, Telstra Adelaide Festival, Adelaide, 1998, pp. 32–39

Allan Smith and Anna Smith, Material Evidence: 100-headless woman, 1998, Wellington City Gallery and Govett-Brewster Gallery, New Plymouth

At the gallery, Daily News, 25 November 1997, p. 23

New angles for gallery, North Taranaki Midweek / Weekender, 8 October 1997, p. 1

Michelle Cruickshank, Head over heels, Pavement 25, October / November 1997, p. 24

Mark Birch, New-look gallery due to re-open at Labour Weekend, Daily News, 29 September 1997, p. 4

Wayne Lorimer, Secrets and bold abstracts, The Press, 23 July 1997, p. 14

Taranaki artists receive grants, Daily News, 24 May 1997, p. 5

Anne Kennedy, Lively arts, Metro, March 1997, p. 108

Keith Stewart, Stuttering, but with purpose and clarity, Sunday Star-Times, 26 January 1997, p. F2

Justin Paton, Power of the painted word, New Zealand Herald, 23 January 1997, p. B9

Pat Baskett, Playing to the extreme, New Zealand Herald, 23 January 1997, p. B9

Allan Smith, The content of form: Abstraction in New Zealand, in James Ross (ed.), New Zealand Modernism – The Content of Form: Paintings from The Gibbs Collection, The Gibbs Collection, Auckland, 1997, pp. 14–35

James Ross (ed.), New Zealand Modernism – The Content of Form: Paintings from The Gibbs Collection, The Gibbs Collection, Auckland, 1997, pp. 64–65, 109

Priscilla Pitts (ed.), Material Evidence: 100-Headless Woman, City Gallery Wellington Te Whare Toi and Govett-Brewster Art Gallery, New Plymouth, 1997

Elizabeth Caughey and John Gow, Contemporary New Zealand Art 1, David Bateman, Auckland, 1997, pp. 52–55, 102

Jason Maling, Indulging that personal vocabulary, South Island Art Projects Newsletter 18, Autumn 1996, p. 19

Stephen Cain, Revisited Golem still has amazing power, Evening Post, 3 June 1996, p. 14

Pauline Swain, Women at opposite poles of art, The Dominion, 1 June 1996, p. 24

Robyn Ussher, Morison’s complex beauty, The Press, 24 January 1996, p. 15

Jane Turner (ed.), The Dictionary of Art, vol. 23, Macmillan Publishers, London, 1996, p. 62

Jane Turner (ed.), The Dictionary of Art, vol. 23, Macmillan Publishers, London, 1996, p. 62

Anna Smith, Julia Kristeva: Readings of Exile and Estrangement, Macmillan, London, 1996, (cover)

Doug Conway, Alchemical art reaction, The Press, 10 January 1996, p. 14

Julia Morison, StutterinG, Tuscan Press, Christchurch, 1996

Elizabeth Caldwell, 1,m0n0chr0mes: a project by Julia Morison [pamphlet], McDougall Art Annex, 1996, unpaginated

Robyn Ussher, Shows that get people talking, The Press, 27 December 1995, p. 14

Stephen Cain, Past reflects fantasy and myth, Evening Post, 11 November 1995, p. 59

David Famularo, Rare viewing of expat’s work, The Dominion, 10 November 1995, p. 15

T. J. McNamara, Bright start for splendid new gallery, New Zealand Herald, 11 October 1995, p. 13

Morison’s return to NZ roots radiates elegance, The Press, 4 October 1995, p. 14

Warren Feeney, Assault of mind and body, The Press, 4 October 1995, p. 18

Danny Butt, Educating Miranda: An installation by Julia Morison and Michael Ghent, South Island Art Projects Newsletter 16, August 1995, pp. 18–19

Wystan Curnow, East of Champions, Artforum International 33, No. 7, March 1995, pp. 39–41

Justin Paton, Exhibitions: Christchurch, spring notes, Art New Zealand 77, Summer 1995/96, pp. 37–39

Allan Smith, A very peculiar practice: A user’s guide, in Allan Smith et al., A Very Peculiar Practice: Aspects of Recent New Zealand Painting, City Gallery Wellington Te Whare Toi, 1995, pp. 6–14

James Ross (ed.), New Zealand Modernism – In Context: Paintings from The Gibbs Collection, The Gibbs Collection, Auckland, 1995, pp. 98–99, 109

Claire J. Regnault, A Very Peculiar Practice: Aspects of Recent New Zealand Painting [exhibition pamphlet], City Gallery Wellington Te Whare Toi, 1995, unpaginated

Julia Morison, End to Begin, Tuscan Press, Christchurch, 1995

Warwick Freeman et al., Owner’s Manual: Jewellery by Warwick Freeman, Starform, Auckland, 1995, unpaginated

Leigh Davis, Learning to read, in Allan Smith et al., A Very Peculiar Practice: Aspects of Recent New Zealand Painting, City Gallery Wellington Te Whare Toi, 1995, pp. 16–20

Writing in residence, in James Ross (ed.) New Zealand Modernism – In Context: Paintings from The Gibbs Collection, The Gibbs Collection, Auckland, 1995, pp. 74–85

Keith Stewart, Delight for art gallery browsers, Sunday Star- Times, 13 November 1994, p.D4

John Daly-Peoples, New Zealand artists explore boundaries, National Business Review, 11 November 1994, p. 48

Adrienne Rewi, Parallel abstractions, The Press, 14 September 1994, p.13

Shades of déjà vu, New Zealand Herald, 21 July 1994, section 2, p. 3

Justin Paton, Delicate shock tactics, The Press, 8 June 1994, p.18

T. J. McNamara, A master of kinetic art, New Zealand Herald, 28 April 1994, section 2, p. 4

Bernice Murphy, Julie Ewington and Nicholas Baume, Localities of Desire: Contemporary Art in an International World, Museum of Contemporary Art, Sydney, 1994, pp. 12–13, 61–62, 71

Debra Millar, Julia Morison: An outsider in France, Fashion Quarterly Focus New Zealand, 1994, pp. 78–81

William McAloon, Parallel Lines: Gordon Walters in Context [pamphlet], Auckland City Art Gallery, 1994, unpaginated

John Hurrell, Julia Morison, Art + Text 47, 1994, p. 86

Extremes encased in wooden boxes, Waikato Times, 9 December 1993, p.15

Charmian Smith, A century of Dunedin women’s art on display, Otago Daily Times, 14 October 1993, p.21

Justin Paton, Symbols and elegance, The Press, 15 September 1993, p.16

T. J. McNamara, Emblem of eternal decay, New Zealand Herald, 2 September 1993, section 2, p.3

Look for..., New Zealand Listener, 28 August 1993, p.44

Nick Smith, Firemen put out love’s flame, New Zealand Herald, 21 August 1993, p.3

Mike Houlahan, NZ works get “warm response” in Sydney, Evening Post, 17 February 1993, p.26

Bronwyn Watson, No critical bucking for boundary rider, Sydney Morning Herald, 22 January 1993, p.14

John Daly-Peoples, Forum for our best, New Zealand Herald, 7 January 1993, p.17

Gloria Zelenka, Love philtres and melting moments, in Priscilla Pitts (ed.), Mediatrix: new work by seven women artists, Artspace, Auckland, 1993, pp.32–37,55

Linda Tyler, Women on Women: Art in Dunedin since 1893, The School of Art, Otago Polytechnic and Dunedin Public Art Gallery, 1993, pp.70–71,96

Priscilla Pitts (ed.), Mediatrix: New work by seven women artists: an exhibition to mark the centenary of women’s suffrage in New Zealand, Artspace, 1993

Julia Morison, Study for Melancholia II, Midwest 2, 1993, pp.28-29

Elizabeth Knox, Privacy:The art of Julia Morison, in Julia Morison, Jonathan Jensen Gallery, Christchurch, 1993, unpaginated

Anne Kirker, New Zealand Women Artists: A Survey of 150 Years, Reed Methuen Publishers, Auckland, 1993, pp. 53, 140, 142, 207–208, 229, 243, 245

Christina Barton and Deborah Lawler-Dormer (eds), Alter / Image: Feminism and Representation in New Zealand Art 1973–1993, City Gallery Wellington Te Whare Toi and Auckland City Art Gallery, 1993, pp. 10, 29, 38–39, 104, 114

Ann Somerville, Wide variety of styles evident in NZ works, The Daily Post, 23 December 1992, p. 15

Gilbert Haisman (ed.), Two New Zealand artists invited to Biennale of Sydney, The Arts Advocate 3, December 1992, p.13

T. J. McNamara, Something for all along the trail, New Zealand Herald, 26 November 1992, section 2, p. 2

Linda Tyler, Fellowship art, Otago Daily Times, 17 November 1992, p. 5

A breath of fresh art, New Zealand Arts Guide, October–November 1992, p.17

Peter Entwisle, Post-modernism 'art of the new age', Otago Daily Times, 22 July 1992, p.8

Anthony Bond (ed.), The Boundary Rider: 9th Biennale of Sydney, The Biennale of Sydney, 1992, pp.286, 295

Shirley Horrocks (Director), Pleasures and Dangers: Artists of the ’90s [video recording], Learning Media, Wellington, 1992

Roger Horrocks, Moving images in New Zealand, in Mary Barr (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art, Sydney, 1992, pp.135–146

William McAloon, Recent acquisitions, The Press, 4 May 1992, p.17

Francis Pound, The words and the art: New Zealand art criticism c.1950 – c.1990, in Mary Barr (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art, Sydney, 1992, pp. 185–202

Mike Houlahan, Biennale showing for Wellington artist, Evening Post, 8 December 1992, p.37

Mark Amery, Small stories of devotion – Dinah Hawken, Stamp 29, 29 March 1992, p. 29

Warwick Brown, Best of the best in Auckland, The Dominion Sunday Times, 26 January 1992, p.22

Alexa M. Johnston, Christianity in New Zealand art, in Mary Barr (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art, Sydney, 1992, pp.99–111

John Hurrell, Julia Morison: New Zealand, in Anthony Bond (ed.) The Boundary Rider: 9th Biennale of Sydney, The Biennale of Sydney, 1992, pp.172–173

Dianne Beatson, Peter Beatson and Robert Leonard, Making a scene, in Mary Barr (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art, Sydney, 1992, pp. 203–213

Christina Barton, Framing the real: Postmodern discourses in recent New Zealand art, in Mary Barr (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art, Sydney, 1992, pp.173–184

Pat Unger, A 'Christmas show’, The Press, 19 December 1991, p. 22

Visual arts: why did some do so well?, The Press, 18 December 1991, p. 23

Wystan Curnow, Amalgame, Cadran Solaire, Troyes, France, 1991

William McAloon, From the tree of emanation, The Dominion Sunday Times, 1 December 1991, p. 24

‘Amalgame' retables, The Press, 21 November 1991, p. 18

Peter Simpson, Julia Morison boxes her alchemy art, The Press, 19 November 1991, p. 13

John Daly-Peoples, Artist invents visual images, Sunday Star, 17 November 1991, p. C2

Medieval modernism hits the art world, The Dominion Sunday Times, 17 November 1991, p. 22

NZ female artists noted for breaking new ground, Otago Daily Times, 16 November 1991, p. 22

Focus on modern artists, Gisborne Herald, 16 November 1991, p.6

Morison makes magic, New Zealand Herald, 14 November 1991, section 2, p. 2

Bernadette Rae, France is too hard to resist, New Zealand Herald, 7 November 1991, section 2, p. 3

Vanya Shaw, Look for…, New Zealand Listener, 4 November 1991, p. 50

Trish Clark and Wystan Curnow (eds), Pleasures and Dangers: Artists of the ’90s, Moët & Chandon Art Foundation in association with Longman Paul, Auckland, 1991, pp. 70–94

Sculpture, paintings, The Press, 18 April 1991, p. 20

Provincial professionals, National Business Review Weekly Magazine, 21 April 1991, p. 32

Gallery show, The Dominion Sunday Times, 28 March 1991, p. 20

Warwick Brown, Lure of the multiple image in an age of visual smog, The Dominion Sunday Times, 10 March 1991, p. 26

Religious rituals and mysteries, The Dominion Sunday Times, 10 February 1991, p. 27

Dinah Hawken, Small Stories of Devotion [illustraions], Victoria University Press, Wellington, 1991

T. J. McNamara, Altered images carry powerful message, New Zealand Herald, 24 January 1991, section 2, p. 2

Gender roles explored, Eastern Courier, 23 January 1991, p. 26

Memorable vintage for public art, The Dominion Sunday Times, 13 January 1991, p. 13.

Shirley and Roger Horrocks, ‘Interview’, Pleasures and Dangers: Artists of the ’90s, Moët & Chandon Art Foundation in association with Longman Paul, Auckland, 1991, pp. 88–91

Michael Dunn, A Concise History of New Zealand Painting, David Bateman, Auckland and Craftsman House, Roseville East, New South Wales, 1991, pp. 157–159, 165, 178

Pat Unger, The Xmas show, The Press, 6 December 1990, p. 21

Casualties of economy, New Zealand Herald, 29 November 1990, section 2, p. 2.

William McAloon, In the Forest of Dream, The Press, 11 October 1990, p. 20

Fiona Cassie, Champagne, art make heady mixture, Nelson Evening Mail, 3 October 1990, p. 18

Jill Malcolm, Home thoughts from abroad: Art and champagne, Pacific Way, October 1990, pp. 72–74

Patrick McLennan, Outcry “would satisfy” painter, The Press, 17 August 1990, p. 3

Waste not, want not, The Dominion, 16 August 1990, p. 21

Sandra Stewart, Excrement … part of her art, The Christchurch Star, 14 August 1990, p. 1

Modern masters on display, Otago Daily Times, 30 June 1990, p. 12

Jane Davidson, Forrester Gallery to show top NZ art, The Oamaru Mail, 28 June 1990, p. 3

Pat Rosier, Strokes and art attacks, Broadsheet 179, June / July 1990, pp. 34–35

Julie Middleton, Fellowship artist to stay in France, Sunday Star-Times, 3 June 1990, p. C4

‘Large' collection at the gallery, The Ensign, 30 May 1990, p. 8.

Liane Topham, Display of NZ artists, Otago Daily Times, 22 May 1990, p. 5

G. E. Fairburn, Bias of the belles, Waikato Times, 17 April 1990, p. 14

Richard Dale, Artists expose the niceties of convention, New Zealand Herald, 12 April 1990, section 2, p. 5

Works by 4 artists, The Press, 5 April 1990, p. 28.

Darien Mansfield, Exhibitions: Auckland, Art New Zealand 55, Winter 1990, pp. 42–43. .

Lastword: oddities, Metro 107, May 1990, p. 170

Chris Topp, "So many things I was to see" – European residency excites artist, The Press, 11 April 1990, p. 27

Giovanni Intra, The bride of Frankenstein, Stamp 8, April 1990, pp. 13–14

Julia Morison, Canta 6, 2 April 1990, p. 20

Morison wins art grant, trip, Evening Post, 20 March 1990, p. 23

Private galleries mount group shows, The Dominion, 14 March 1990, p. 8

Language and Translation, Victoria University Press, Wellington, 1990, pp. 232–237

Peter Leech, The nominal and the numinous: The 1990 Moët & Chandon Exhibition, Art New Zealand 56, Spring 1990, pp. 66–69, 109

Mavis Airey, Morison wins Moët award, The Press, 28 February 1990, p. 24

Further reward for artist, Nelson Evening Mail, 28 February 1990, p. 9

Anne Fenwick, Ideal and base self, New Zealand Listener, 26 February 1990, pp. 104–105

Morison awarded fellowship, Otago Daily Times, 23 February 1990, p. 17

A wonderful journey, New Zealand Herald, 22 February 1990, section 2, p. 2

Bernadette Rae, Radical art brings some rich rewards, New Zealand Herald, 15 February 1990, section 2, p. 3

Introduction, in Ian Wedde and Gregory Burke (eds), Now See Hear! Art, Language and Translation, Victoria University Press, Wellington, 1990, pp. 10–12

Stuart McKenzie, A word on dumbness in the thick of speech, in Ian Wedde and Gregory Burke (eds), Now See Hear! Art, Language and Translation, Victoria University Press, Wellington 1990, pp232-237

Christina Barton, Gregory Burke and Wystan Curnow, In the Forest of Dream, The Moët & Chandon New Zealand Art Foundation, Auckland, 1990, pp. 20–21, 31, 38–39

Ian Wedde, Canterbury Belles, Evening Post, 4 January 1990, p. 13. —

Rob Taylor, Exhibition full of particular meanings, The Dominion, 3 January 1990, p. 7.—

Bill Milbank and Richard Wotton, United Banking Group / Sarjeant Gallery Photographic Award, Sarjeant Gallery, Wanganui, 1990, pp. 26–27

Gil Docking and Michael Dunn, Two Hundred Years of New Zealand Painting, David Bateman, Auckland, 1990, pp. 9, 236–237

Christmas exhibition, The Press, 14 December 1989, p. 22

Robert Leonard and Stuart McKenzie, Decan: A Work in Ten Parts by Julia Morison, [catalogue] Tuscan Press, Christchurch, 1989

T. J. McNamara, Art to suit all tastes, New Zealand Herald, 22 October 1989, section 2, p. 2.—

'Sex and Sign' exhibition, The Press, 19 October 1989, p. 17

Visual textures interest, Otago Daily Times, 11 September 1989, p. 16

Julia Morison exhibition overwhelming, The Press, 5 October 1989, p. 18

Morison’s 'Anatomy', The Press, 21 September 1989, p. 16.—

Mavis Airey, Ancient beliefs inspire symbolic paintings, The Press, 20 September 1989, p. 23. .

Pat Unger, Canterbury Belles, The Press, 7 September 1989, p. 14

Untitled article about the exhibition Canterbury Belles at theRobert McDougall Art Annex, The Press, 16 August 1989, p. 26

Exhibitions: Christchurch, Art New Zealand 53, Summer 1989/90, pp. 38–39. —, ‘.

Ann-Marie Johnson, untitled article about Morison’s work in Sex & Sign at Dunedin Public Art Gallery, Otago Daily Times, 4 August 1989, p. 3

Blair French, Exciting tension in art, Otago Daily Times, 17 July 1989, p. 16. ––

Alex Calder, Dead letters, live wires, Evening Post, 13 July 1989, p. 29

Blair French, Exciting tension in art, Otago Daily Times, 17 July 1989, p. 16. ––

Exhibitions: Christchurch, Art New Zealand 51, Winter 1989, pp. 47–49. ––,

Leonard Bell, The encyclopedic vision: Exhibits at Artspace, Art New Zealand 50, Autumn 1989, pp. 48-51

Shona Smith, Canterbury Belles: Margaret Dawson, Mary Kay & Julia Morison [exhibition pamphlet], Robert McDougall Art Gallery, Christchurch, 1989.

Works by Morison, The Press, 9 December 1988, p. 16

Suzi Melhop, Icons offer alternative to traditional dogma, The Christchurch Star, 8 December 1988, p. 23

Pat Unger, Harris’s “New Works” 'real' art, The Press, 7 December 1988, p. 16

Arts round-up, The Christchurch Star, 18 November 1988, p. 22

Display shows museum’s worldview, The Dominion, 4 July 1988, p. 7

Lita Barrie, Semiotics for play schoolers, National Business Review, 1 July 1988, p. 38

Rob Taylor, Art linking language, symbols and gender, The Dominion, 10 June 1988, p. 8

Ian Wedde, Curators’ melting moments, Evening Post, 9 June 1988, p. 31

Pauline Clayton, Ongoing impressions, Contact, 27 May 1988, p. 35

Pam Walker, Crowded posters deserve better display, Daily News, 2 April 1988, p. 12

Tony Little, Art exhibition has sexuality theme, Taranaki Herald, 17 March 1988, p. 3

Untitled article about Morison’s arrival in Dunedin as Frances Hodgkins Fellow, Otago Daily Times, 4 February 1988, p. 1

Robert Leonard and Priscilla Pitts, Exhibits: The Museum Display and the Encyclopedia Plate, National Art Gallery, Wellington and Artspace, Auckland, 1988, pp. 26–28, 34

Rob Taylor, Change in art yet to emerge, The Dominion, 31 December 1987, p. 10

Two events dominate, New Zealand Herald, 24 December 1987, section 2, p. 2

Frontier journey excites interest, The Dominion, 21 December 1987, p. 11

David Bromfield, ARX, Australian and International Art Monthly, 6 November 1987, pp. 13–14.

Michael Dunn, Content / Context: A survey of recent New Zealand art, Art New Zealand 42, Autumn 1987, pp. 40–45

Robert Leonard, Limited Sedition: New Zealand Artists in Perth, September 1987 [pamphlet]

Jim and Mary Barr, When Art Hits the Headlines: A Surveyof Controversial Art in New Zealand, National Art Gallery, Wellington, 1987, p. 43

Lita Barrie, A play on visual surfaces, New Zealand Listener, 30 May 1987, pp. 42–43

Julia Morison and John Hurrell, Vademecum & Golem [exhibition pamphlet]Tuscan Press, 1987

Priscilla Pitts, Exhibitions: Auckland, Art New Zealand 43, Winter 1987, pp. 80–81

Wystan Curnow, Sex & Sign 1987–1988, Artspace, Auckland and Govett-Brewster Art Gallery, New Plymouth, 1987, unpaginated

ARX’87: Australia and Regions Artists’ Exchange (Catalogue), Australian and Regions Artists’ Exchange Committee, Fremantle, 1987, p. 19

T. J. McNamara, Courage and patience seen in big panels, New Zealand Herald, 30 March 1987, p. 12

The essential Julia Morison, The Dominion, 13 March 1987, p. 10

Robert Leonard and Wystan Curnow, New Zealand artists, Praxis M 18, January 1987, pp. 30–31

Ian Wedde, Julia Morison at Shed 11, Evening Post, 24 December 1986, p. 11

Rob Taylor, Content / Context: A survey of recent New Zealand art, Salient 49, Issue 24, 6 October 1986, pp. 12–13

Evan Webb, Julia Morison: Art as the history of oneself, Art New Zealand 39, Winter 1986, pp. 44–47

Julia Morison, Hermes, Splash 4, April 1986, pp. 52–55

Anne Kirker, New Zealand Women Artists, Reed Methuen Publishers, Auckland, 1986, pp. 151–153

Ian Wedde, Julia Morison: Signs of the times, Evening Post, 11 March 1987, p. 32

Elva Bett, New Zealand Art: A Modern Perspective, Reed Methuen Publishers, Auckland, 1986, pp. 88–89, 198, 208, 213

Mary Barr (ed.), Content / Context: A Survey of Recent New Zealand Art, National Art Gallery, Wellington, 1986, pp. 64–65, 129

T. J. McNamara, Illuminating, New Zealand Art News 2, No. 4, October / November 1985, p. 3

Unique flavour to social comment, New Zealand Herald, 26 August 1985, section 1, p. 13

Rob Taylor, New Zealand art news, Salient 1, 48, no. 21, September 1985, p. 10

Morison’s art baffles critics, New Zealand Art News 2, No. 4, August / September 1985, p. 9

Julia Morison, Four working drawings for 'Dog deifier, reified god', Landfall 154, June 1985, pp. 152–155

G. E. Fairburn, Modern art? It’s just a load of …, Waikato Times, 22 June 1985, p. 1

Brett Riley, Gallery exhibition marks decade, The Christchurch Star, 29 May 1985, p. 10

Garry Arthur, Ten years for dealer gallery, The Press, 29 May 1985, p. 20

Ian Wedde, Hellyar’s 'Aprons' cheer senses, Evening Post, 26 February 1985, p. 29

Sue Thomas, Icons, masks, war photos in galleries, Evening Post, 20 February 1985, p. 49

Pam Graham, Variety marks art exhibits, The Dominion, 18 February 1985, p. 25

Errol Shaw, The Word: An Introduction to Words as Imagery in Contemporary New Zealand Art, The Bishop Suter Gallery, Nelson, 1985

Brett Riley, Christmas shopping, The Christchurch Star, 12 December 1984, p. 9.

‘Apertures' appeals, The Press, 10 October 1984, p. 22

Inside 'Apertures', The Christchurch Star, 10 October 1984, p. 12.

New faces on the scene New Zealand Art News 1, No. 3, August / September 1984, p. 19.

Evan Webb, Invocation, Equivocation, The Press, 31 May 1984, p. 20

Julia Morison– cool and precise, The Christchurch Star, 30 May 1984, p. 12

John Hurrell, Anniversary at the Gingko, The Press, 14 January 1984, p. 11

Brett Riley, A last flicker from 9 artists The Christchurch Star, 21 December 1983, p. 12

Neil Nelson, Centrepoint triumphs again with classic The Tribune, 22 May 1983, p. 5

Warren Barton, Praise for cast The Manawatu Standard, 14 May 1983, p. 3. .

Controversial classic next at Centrepoint The Tribune, 8 May 1983, p. 15

Centrepoint’s on cloud nine The Tribune, 3 April 1983, p. 11

Centrepoint stages “Cloud Nine”, Levin Chronicle, 30 March 1983, p. 5

Brett Riley, ‘The eternal triangle’, The Christchurch Star, 28 July 1982, p. 13

T. J. McNamara, Mural brings past into a modern setting, New Zealand Herald, 17 May 1982, section 1, p. 11

Gordon H. Brown and Hamish Keith, An Introduction to New Zealand Painting 1839–1980 (new and revised edition), William Collins Publishers, Auckland, Sydney and London, 1982, p. 215

Gordon H. Brown, ‘A Promise Unfulfilled’, Auckland Star, 6 April 1981, p. 17

Neil Rowe, ‘Morison off to fine beginning’, Evening Post, 6 March 1980, p. 16.

Ewen McDonald, ‘The art of silence’, Elva Bett Gallery Newsletter, No. 1, 1980, unpaginated

‘White-on-white art’, The Press, 15 September 1979, p. 12.

Richard Poor, ‘Reviews’, Auckland Star, 12 September 1979, p. 9

‘Getting a feeling of involvement’, The Christchurch Star, 12 September 1979, p. 11

Neil Rowe, ‘Promising talent showing the flag’, Evening Post, 4 August 1979, p. 11

Michael Thomas, ‘Contrasts, gouacherie’, The Press, 12 May 1979, p.26

John Coley, ‘A feast of experience’, The Christchurch Star, 9 May 1979, p. 9

‘Learning engraving process’, Wanganui Herald, 3 August 1977, p.3. 

Pat White, Signposts: Poems, Frontiers Press, Christchurch, 1977 (cover)

Michael Thomas ‘Successful first one-man show’, The Press, p. 6.

John Summers, ‘Interesting– but room for development’, The Christchurch Star, 21 October 1976, p.28